X-Files mythology, TenThirteen Interviews Database, and more

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RIP art director Graeme Murray

We close the year with, unfortunately, another death in The X-Files family! Graeme Murray passed away earlier this year in April, in his native Vancouver. Together with John Bartley, who also passed away in 2025, he was one of the most important members of the crew that defined the visual style and quality of the show.

He is credited as art director for the first 3 seasons (starting from 1X06: Ghost in the Machine) and as production designer for seasons 4 and 5, plus as production designer for the pilot of Harsh Realm. One of his first credits was actually on John Carpenter’s The Thing, and interestingly his second episode was Ice — here’s an interview of the time with Glen Morgan being impressed with his sets!

His work along with colleagues Shirley Inget, Gary Allen and Greg Loewen got them a nomination for an Emmy in Outstanding Art Direction for a Series in 1996 (for 3X20: Jose Chung’s “From Outer Space”); they would win the award in both 1997 (for 4X15: Memento Mori) and 1998 (for 5X06: The Post-Modern Prometheus).

Here are photos from the Vancouver Sun articles on those wins, taken from a 2024 exhibit in Graeme’s honor around the set of 3X19: Hell Money.

Interview: Glen Morgan on Gold Derby

Another recent interview with Glen Morgan on The X-Files, this time text-based and not an audio podcast, on the website Gold Derby. Many points repeat the Strange Arrivals interview I covered recently, or other past interviews. Here are some tidbits that sound new to me:

On the monsters-of-the-week: “Chris would’ve done UFO episodes every week. The network didn’t want that. They wanted a monster show. I remember being in the office late at night — which was like a box; it was just a dump on the Fox lot — and we’re just sitting there trying to think of ideas.”

On 1X02: Squeeze: “Regarding the 30 years, my brother told me, “I think that you stole a Night Stalker. There was a thing where there was a guy who comes out every 30 or 50 years.” I’m like, “What?!” We loved that show with Darren McGavin. The episodes weren’t readily available until recently, so I don’t know if I lodged that in my subconscious. Chris had been in France, and he was fascinated by how they make foie gras, so that’s where it came about that Tooms ate livers.”

On 1X20: Tooms: “Skinner was named after my mom’s friend.”

On 1X07: Ice: “When I was a kid, there was an unknown movie called Report to the Commissioner, and at the end of the trailer, the two people were in an elevator with guns on each other. That image had a big effect on me — so let’s do that!”

On 1X12: Beyond the Sea: “we wanted to introduce [Scully] to the possibility of a paranormal event. We felt that the one thing that people might be open to is wanting to see a loved one that had moved along. The experience has a great deal of watching my mom when my grandfather passed away.”

On 2X14: Die Hand Die Verletzt: “John Bartley was the director of photography, and he lit that fourth act essentially with two flashlights, which were I think $3,000 each and the wire went up Duchovny’s coat. It was not done on TV where an entire act was just that level of darkness.”

On 4X03: Home: “My grandmother and grandfather, my mom’s parents, lived in Rochester, and they had a family next door who was a very nice family, maybe a little chaotic, named the Peacocks. I just thought, what a great name, and so we named [the “Home” family] the Peacocks.”

TXF-themed set in LEGO Ideas competition

**VOTE BEFORE 21 Feb**

This Lego set based on The X-Files is very, very cool, filled with in-jokes, is made up of 2000+ pieces, and it has a high chance of being officially commercialized, if fans vote for it. And if rights issues get resolved — but Lego already produces Disney-licensed products.

Lego takes ideas for certain new sets among submissions. This creator, Brent Waller / WetWired, submitted a TXF-themed set to Lego before (set, promo video, on the set of the revival with Duchovny & Anderson). But at the time Lego did not choose it, justifying this by saying it was considered too violent and not on-brand for the company. Times have changed, and now this updated set is up against just four other submissions in a specifically 90s-themed competition.

Now, I’m not much of a fan of “collectibles” — Funko Pops, figurines, and other creative ways capitalism consumes more plastic — but… I *am* partial to Legos! I mean look at it!

Promo video:

Photos:

Interview: Tom Braidwood

Laid back discussion between two Vancouver old friends, Tom Braidwood (1st assistant director behind the camera and actor as Frohike) and Stephen Miller (small roles in TXF episodes and in the second movie, and AD McClaren in Millennium).

Bits about nice memories with The X-Files and The Lone Gunmen and getting cast thanks to director Billy Graham at minutes 18-29, plus anecdotes about filming in rainy forests (not sure which episode) and difficulties with Rob Bowman directing Dod Kalm (and in praise of Chris Carter) minutes 37-45.

Interview: David Nutter

An interview with director David Nutter – who will be given a lifetime achievement award by the Directors Guild of America soon – along with some tough and sad personal news Parkinson’s, wife passed away). Some The X-Files-related bits:

What’s the best pilot you ever made?

[…] I also loved Fox’s Millennium pilot with Chris Carter.

You directed 15 episodes of The X-Files. Which are you most proud of?

“Clyde Bruckman’s Final Repose.” That was a funny episode.

What’s an episode you improved the most from what you were given on the page?

Another X-Files episode. The first one I directed, “Ice” [season one, episode eight].

“Ice” was the first one that hooked me as a viewer, it had a lot of atmosphere to it.

[Creator] Chris Carter said it was the first “real” episode of the show and that he wanted to model the rest of the series after it.

Now there’s [Game of Thrones] spin-off ideas in the works. Would you ever want to direct on those?

No. It’s like when Warners president Peter Roth wanted me to direct Fringe and I was like, “This is a copy of X-Files.” It would be difficult to do something in that world unless the same people were involved.

https://www.hollywoodreporter.com/tv/tv-features/david-nutter-best-worst-episodes-thrones-sopranos-interview-1235817291/

Interview: Julie Ng

Listen to these two podcasts featuring Julie Ng, an alumnus of Glen Morgan’s and the producer of all the behind the scenes content for the two revival seasons — lots of great little info on the making of the fan-favourite and light-hearted “This”. Confirmation that plenty of dirty and kinky lines were ad-libs on the spot by the two lead actors, which reinforces the impression that in this episode we are seeing more Duchovny & Anderson rather than Mulder & Scully per se. I didn’t know the Ramones’ “California Sun” was a cover — another R&B classic stolen by a rock band!