Happening in Phile Fest right now – celebrating 30 years of The X-Files!
https://twitter.com/admiralty_xfd/status/1700251228440314148
Happening in Phile Fest right now – celebrating 30 years of The X-Files!
https://twitter.com/admiralty_xfd/status/1700251228440314148
Archived from the Eat The Corn Facebook page.
Another excellent details-filled #TheXFiles interview by @[195561691234370:274:Sammensværgelsen – en dansk X-Files podcast] with an important behind the scenes person, David Gauthier — the mechanical special effects supervisor (i.e., practical on-set stuff, not visual/digital effects) for the first five years in Vancouver and again for the second film.
Episodes mentioned:
https://sammensvaergelsen.libsyn.com/website/interview-david-gauthier-special-effects
15 years already since the release of the second #TheXFiles film, “I Want To Believe”! The show is 30 years old, and it’s hard to believe that as much time has passed between the pilot and IWTB as between IWTB and today… My opinion on that film has not changed much since, there are certainly many things I appreciate — such as the Millenniumistic photography, the Frankenstein aspects of the story, some mythic elements (descent to the underworld), Mark Snow’s music — but the whole thing doesn’t gel. It would have been fine if TXF had made one film every couple of years or so, but as an attempt to relaunch the brand it didn’t meet expectations. Not horrible, not a masterpiece.
Still, I have good memories of winning tickets to the premiere via Spotnitz’s Big Light, attending the July 30 premiere in London, interacting with many fans there from all over Europe, seeing CC/FS/DD/GA up close — and listening to this blockbuster-like remix of the main theme by UNKLE, over and over again while waiting to get in the theatre! (In the meet and greet, CC was asking if somebody from UNKLE was in the audience, I don’t know if they found each other or not.) Let’s celebrate “XF2”!
#TheXFiles 1997 soundtrack Songs in the Key of X is out in vinyl!
Here’s a new and different #TheXFiles podcast, “Fandom X Archive”, dedicated on chronicling the early days of the XF fandom! A deep dive in the early to mid 1990s, with alt.tv.x-files newsgroups and the like… I love such academic/fannish stuff, somewhat due to nostalgia! In part, I developed Eat the Corn’s interview database as an archival resource to support such endeavours.
https://aliensupersoldier.com/?p=1839
One thing I like in #TheXFiles is the cinematic atmosphere, and this is what these little “no context” videos provide: short clips from episodes not focused on the actors but on these moments between when the plot happens, a still camera fade in or a moving crane shot, when we linger on a setting, a forest, an object, a mood…
Season 4:
Full playlist with seasons 1-7: https://www.youtube.com/playlist?list=PLJ5SdDogH5i2ly4Vrzll6XZTmQji0CNsb
#aphextwin’s ambient electronic track “Windowsill” sounds…quite a bit like #TheXFiles main theme. And sure enough I checked, this track was released some 6 months after the TXF pilot aired, in March 1994!
https://en.wikipedia.org/wiki/Selected_Ambient_Works_Volume_II
Before #TheXFiles there was the #twilightzone! @[100057694884330:2048:Frank Spotnitz] talked to the @[100064733644766:2048:Rod Serling Memorial Foundation] about how TZ was a big influence on TXF and on pretty much anything on television in the past 60 years, and how we should celebrate Serling’s unique brand of humanistic storytelling. Interview runs from 2:06:50 to 2:51:50. What’s *your* favourite TZ episode? (And yes I’m pretty sure it was not the Dusky Realm.)
https://www.facebook.com/RSMemorialFoundation/videos/3499712833614340
A new interview with Dan Sackheim by @[195561691234370:274:Sammensværgelsen – en dansk X-Files podcast]! He was a producer and director at key moments of #TheXFiles: he helped set the tone of the show from the very beginning and he produced the first movie. He is quite candid and you can hear his love and respect for Carter and the show. Highlights:
Launching TXF:
Fight the Future:
TXF s5+ and Harsh Realm:
https://sammensvaergelsen.libsyn.com/website/interview-dan-sackheim
Archived from the Eat The Corn Facebook page.
The first interview ever with Brad Follmer, courtesy of @[100064600333206:2048:The X-Cast\: An X-Files Podcast]! He was Chris Carter’s assistant on #TheXFiles from mid-season 7 (the first episode he is credited in is First Person Shooter) to season 9, and he is credited as staff writer in season 11. Unfortunately the sound quality is not good, but here are the key takeaways:
[SPANISH] Estos primeros 12 a 16 números del cómic, de Stefan Petrucha (yo digo Petruka, no sé) y Charlie Adlard, fueron unas de las primeras cosas que encontré como fan de #TheXFiles, y todavía quedan siendo unas de mis cosas favoritas que produjo la “marca” TXF! En éste podcast se habla mucho de esos, y de varios detalles sabrosos de cómo se hicieron. Es verdad que se adelantaron con muchas cosas que hizo la serie después (Tunguska, Unruhe, Field Trip…yo añadiría Demons y José Chung con lo del control de la mente y de no saber que era la verdad y que no).
Sad news – John Beasley, Emma Hollis’ father in 3 episodes of Millennium, has passed away. I also knew him from some episodes of Treme.
https://tvline.com/2023/05/30/john-beasley-dead-cause-of-death-everwood-irv-harper-dies/
Frank Spotnitz was interviewed following yet another “whistleblower” story in the news related to UFOs secrecy in the US intelligence. (Actual revelation? Fake news? Useful idiot? True believer? Who knows?)
The site needs a VPN to be seen by European visitors… Here’s what it says:
“The X-Files” producer Frank Spotnitz told NewsNation’s “Banfield” he’s a skeptic of the military whistleblower’s secret UFO claims but he would “love to be convinced.” Spotnitz said the claims could have a positive, profound effect on humanity. “Aliens are like trying to prove there’s a God. If you could, that would have profound effects on everything,” Spotnitz said. “It would change our understanding of each other. … It might bring us closer together because there’d be this other threat that’s not human. We’re always looking for the bad guy, but in this case, it wouldn’t be other people, it’d be someone else out there.” Spotnitz also revealed that he’s still in touch with Chris Carter, producer for “The X-Files.” Spotnitz said that Carter is less skeptical than he is about the recent claims.
(Thanks Adam Silva)
https://www.newsnationnow.com/banfield/ufo-claims-could-be-positive-x-files-e-p/
25 years since the absolute #TheXFiles summer blockbuster, whose tagline became the title, “Fight The Future”. 25 YEARS! Here’s the trailer, hard to describe the excitement when this first aired on TV and I recorded it on VHS.
Some trivia:
A nice interview with Chris Carter (CC) from last week, with #TheXFiles Diaries, to celebrate the 25th anniversary of the release of the Fight the Future (FTF) film.
https://xfilesdiaries.libsyn.com/127-fight-the-future-with-chris-carter
Some well-known stories, but also some new information, summarized here [plus my comments]:
A mini-#TheXFiles reunion at the WGA & SAG-AFTRA strike picket line in front of Fox studios today, where the series was shot! #WGAstrike #SAGAFTRAStrike solidarity! David Duchovny, Annabeth Gish, Rob Bowman, John Shiban, Steven Maeda, Daniel Arkin, Tom Schnauz and more were there — with slogans like “the residuals are out there”! Here’s an interview with director Rob Bowman: “I’m here to support my brothers and sisters in the Writers Guild. If somebody compliments something I’ve done, I always say, ‘I get my inspiration from the script.’
+ more here:
https://www.givememyremote.com/remote/2023/07/17/the-x-files-reunion-wga-sag-aftra-strike-david-duchovny-rob-bowman/
https://deadline.com/2023/07/actors-strike-david-duchovny-x-files-reunion-rosario-dawson-hilary-duff-1235440044/
https://tvline.com/news/david-duchovny-picket-sign-the-x-files-the-residuals-are-out-there-strike-1235014917/
https://twitter.com/possumlives/status/1681049151654748160
Archived from the Eat The Corn Facebook page.
A nice little interview with @[100057694884330:2048:Frank Spotnitz] from a month ago.
Midway through he talks about the experience of being in #TheXFiles writers staff. It sounds both like a dream job and like a nightmare, you gave it your all or you’re out. I can understand why those who lived through it have a devotion to the captain of the ship Chris Carter and feel a very strong bond with each other. And I can also understand why the writers group were seen as a sort of single gentlemen’s club:
https://www.spreaker.com/user/10740198/eyewitness-history-frank-spotnitz-with-a
@[100050989916643:2048:The Companion] has an exclusive #TheXFiles reunion discussion between @[100057694884330:2048:Frank Spotnitz], Robert Patrick and Annabeth Gish! (Well, the actual recording was made in July 2022 and was available to Companion patrons – more TXF and other content is available there!).
Podcast: https://share.transistor.fm/s/a502d03e
Video: https://www.thecompanion.app/the-x-files-doggett-reyes-reunion-video/
As usual, a summary of what was said:
This is the first time they all meet since show ended, approximately.
FS: in preparation for this interview, it’s the first time he rewatched s8-9 episodes in 20 years.
The casting process:
Shooting TXF:
Favourites:
The original ending and the original plans:
On the revival:
On where they are now:
YES! “#TheXFiles: The Official Archives Volume II: Extraterrestrial Activity and the Syndicate” by Paul Terry Cellarscape will be out 21 Dec 2023! Can’t wait to see mythology-related props up close!
“A fully authorized, richly illustrated inside look at the case files of Mulder and Scully’s encounters with extraterrestrial activity and the Syndicate.
Following the revelations of the cases declassified in The X-Files: The Official Archives: Cryptids, Biological Anomalies, and Parapsychic Phenomena comes this vital second volume of top-secret X-files. The X-Files: The Official Archives: Volume II: Extraterrestrial Activity and the Syndicate details Agents Dana Scully and Fox Mulder’s close encounters with alien beings and exposes the secrets of the shadowy Syndicate. Featuring UFOs, little green men, and the conspiracies to hide them from the public, these richly detailed and painstakingly re-created case files open up the X-Files universe like never before. These vital cases served as the backbone to the cult television series and provided a powerful throughline and emotional lifeline for Agent Mulder. Now, through archival imagery and unredacted reports, fans can experience firsthand the thrills of some of the series’ most beloved episodes, including “Deep Throat,” “Jose Chung’s from Outer Space,” “Fight the Future,” “Musings of a Cigarette Smoking Man,” and many more.”
(no image yet – this is Volume 1)
https://www.amazon.co.uk/X-Files-Official-Archives-Extraterrestrial-Syndicate/dp/1419771396/
[SPANISH] Soy un gran fan de la música de #TheXFiles. En éste gran podcast se habla en detalles del soundtrack que se estrenó en 1996, “Songs in the Key of X” y fue un gran placer escuchar todo eso — Nick Cave, Foo Fighters, Soul Coughing… Pero NO se habla en bien de la música monumental de Mark Snow. Así que no voy a hacer la promoción de este episodio que se puede escuchar aquí:
[SPANISH] Sigue el podcast Aguante Mulder sobre la música de #TheXFiles, esta vez sobre la música de las dos películas, sobre todo “The Album” de Fight the Future (con Filter, Foo Fighters, y sobre todo mi favorito, el instrumental de Noel Gallagher, Teotihuacan!) pero también con las algunas canciones de I Want To Believe. De nuevo, se habla poco de Mark Snow, pero es un placer escuchar una discusión sobre estos productos derivados.
PD: en Eat The Corn analizamos la explicación de toda la mitología por Chris Carter al final del CD de FTF aquí: https://www.eatthecorn.com/1013-the-truth-revealed/
Archived from the Eat The Corn Facebook page.
New Chris Carter interview, courtesy of the Conspiracy podcast @[195561691234370:274:Sammensværgelsen – en dansk X-Files podcast]!
As usual, summary below [and my comments]:
https://sammensvaergelsen.libsyn.com/website/interview-chris-carter-2
[FRENCH] Podcast sur le film #TheXFiles, sorti il y a quand même 25 ans ! A l’époque, l’excitation était à son comble. Habitant en Europe, le film était sorti des mois après les Etats-Unis, et j’avais été spoilé sur une grande partie des révélations mythologiques en lisant des magazines.
https://podcast.ausha.co/le-coin-pop/the-x-files-fight-the-future-le-premier-film
Coverage of a January interview with Chris Carter (catching up on my backlog) from @[100064600333206:2048:The X-Cast\: An X-Files Podcast]!
A summary and highlights below [with my comments]:
About #TheXFiles:
About the revival:
About #Millennium:
About the legacy of the show:
https://pod.link/1157097612/episode/534ef2668ededfe3790cfc22a5ef805d
Archived from the Eat The Corn Facebook page.
A rare interview with the recently deceased Jeff Vlaming, who wrote on #TheXFiles season 3, from 2021. The whole thing is great if you’re interested in TV writers’ careers, and he is very passionate! But if you want the TXF highlights you definitely have to watch from minute 22 to see how he got hired, with a handcrafted alien in a test tube that got Carter’s attention! (he even shows his own sketches of this on camera!) Also, these interesting and revealing bits (around 31′ and 39′):
On the way scripts were written:
There was no writers’ room in X-Files. We had our own respective offices. What you do is you come up with your idea on a bulletin board with cards, and then when you wanted to pitch it you pitch to Chris exclusively, Chris Carter would be your audience. Unfortunately Chris’s office was about a block from the writers’ offices we were in, so you’d carry bulletin boards with cards tacked on with tacks and you’re hoping against hope that it wasn’t raining or windy because you had to go a block outside to set up in Chris’s office and pitch to him. The writers all were accessible to each other and so you’d run ideas past them, individually or as a group, but there was no room. Chris was sort of the the hearing and all opinion on this, and so he’d give you notes and stuff like that, which was good. I think that helped to sort of stick with his sort of vision of the series that i think made it succeed so well.” [No writers’ room confirmed! This helped individual voices, and it all went through Carter for that extra layer of rewriting to give the whole thing coherence. Carter ran a tight ship.]
On why he had to leave after one year on staff:
“I sort of had to make a choice because this group was very much, you know, would work late into the night, would have some scotch, maybe smoke some cigars and it’s just like — first I didn’t drink scotch and I didn’t smoke cigars — but yeah I’m happy to be part of the team and wanted to be part of the team, but I was a brand new dad and that was the most important thing right then.” [Sounds like an exclusive gentlemens’ club! Doesn’t sound like a place for people with families or for women. I wonder what Kim Newton has to say about that.]
From @[100063644167284:2048:TV Writer Podcast]: https://tvwriterpodcast.podbean.com/e/118-jeff-vlaming/
Also on YouTube:
Let the #TheXFiles 30th anniversary festivities begin! Pilot, March 7, Mulder & Scully enter the town of Bellefleur, Oregon. (Apologies for the BluRay font that messed up the original.) But wait, is it 1993 or 1992?
One of the rare interviews with the extraordinary director Rob Bowman. I love listening to this man! There’s a guy who helped shape #TheXFiles look and feel, beginning from GenderBender in season 1 and into him directing the “Fight the Future” film and all the way to season 7. He was all about the work, the definition of bringing the quality of cinema to television. He describes here how he was bored with making interviews back then because they took time away from shooting, so it’s great to have him ramble on on this today. I especially liked hearing him talk about how Chris Carter or Frank Spotnitz would hint to him that it’s OK to go over budget on specific episodes because the quality of the result would sell itself. And about “Memento Mori”, how he initially thought the script was going to be too much soap opera with tears and violins, but it worked out great. He is even keen to do more TXF if the opportunity arises (and he even teases that there’s one issue preventing Chris Carter from doing more, I suppose he means Gillian Anderson’s reluctance but it could be something else).
Waiting to hear more about how advanced Carter and Fox/Disney are in the talks about a #TheXFiles reboot. Carter mentioned the possibility before in 2022, but in a manner that meant that he was not taking the idea seriously. This just in from science advisor Anne Simon:
“Chris Carter just said on a Q &A at the London Science Museum screening of episode 1 that Fox has contacted him about a reboot of the #TheXFiles with a diverse cast! I’d be so happy if this happens!”
https://www.twitter.com/Annealiz1/status/1634941007472238594
H/T Adam Silva for spotting this.
Edit: more context from other sources in social media who were there at the event (which I hope was recorded and we will see it eventually!):
“He said he’s willing to do one, and he’s been in preliminary talks with fox. He also said he had more stories to tell about the mythology and Scully’s pregnancy” [again the pregnancy? I’m out!]
“he reiterated that he personally couldn’t see a future of The X-Files without Mulder and Scully, but said that Disney/Fox had their own plans for that future. He said Fox had been on the phone to talk about a reboot with a “more diverse” cast. Essentially he was implying that a series without Mulder & Scully is in the works, but “in the works” could mean anything” [so this is coherent with what Carter said in 2022: he hopes that if more TXF happens it will be with M&S, but Fox/Disney have other plans because GA is reluctant and to bring TXF to a younger generation. Not clear to what extent Carter, most likely co-owner of the TXF IP, can completely veto Fox/Disney decisions.]
[FRENCH] #TheXFiles La saison 5! La première saison qui a commencé à décevoir une partie considérable des fans de la première heure. Vu la qualité de la photographie et la qualité de nombreux scripts, comment est-ce possible direz-vous ? Et pourtant, il y a beaucoup à dire, la preuve ce podcast dure presque 4 heures et je vais mettre un moment pour l’écouter en entier !…
https://podcast.ausha.co/le-coin-pop/the-x-files-saison-5-resister-ou-servir
Things get more specific! Chris Carter talks about shooting #TheXFiles in Vancouver (some nice trivia here!) and repeats that there are attempts to do a new reimagined version of the show:
“I just spoke to a young man, Ryan Coogler, who is going to remount The X-Files with a diverse cast. So he’s got his work cut out for him, because we covered so much territory.”
Ryan Coogler, born 1986 (!), wrote and directed the first Creed and the two Black Panther films.
I’m quite phlegmatic about this. The way the modern entertainment industry centers around ‘content’ and ‘brands’, this was going to happen sooner or later. I will follow what happens, but don’t think I will be the target audience for this — not at all because of the ‘diverse’ part but because I don’t see much creativity and risk-taking in *most* modern genre TV — plus I will have no emotional attachment to a product that doesn’t feature the Carter/Duchovny/Anderson combination. Who knows? Let’s say it’s an uphill battle.
Plus, more from that interview:
Carter’s first visit in Vancouver was in 1986, when his wife was shooting something in the forests there, those forests that would be so much useful to the show.
Lots of love for Vancouver, its people, the crew there, the mood because of the weather: “I owe it all to Vancouver”.
#TheXFiles animated project “Albuquerque”, rumored in 2020, is no more. (After having seen some of the similarly-sounding Star Trek: Lower Decks, maybe that’s not a bad idea.)
But also this bit, in relation with today’s other news about Ryan Coogler developing a revamped TXF: “TVLine has learned, however, that Coogler’s X-Files would not be for Fox.” I’m not sure what this means. Disney owns Fox, TXF is (most likely) co-owned by Fox and Ten Thirteen. So, does this mean that this new project is for Disney+ directly, or something to that effect?
https://tvline.com/2023/03/28/the-x-files-albuquerque-cancelled-fox-animated-series-spinoff/
*Edit: this from Variety clarifies that, under Diney restructuring, Fox and 20th TV are no longer the same company, which explains the above, and that Coogler has a contract with Disney TV to develop new projects, so this is one of them: “As the project is in its very early stages, there is no word on what network or platform on which it would air. More than likely, though, it would air on Hulu rather than “The X-Files’” original network home, Fox, as Fox and 20th TV are no longer part of the same company following Disney’s acquisition of 21st Century Fox. To that point, there are currently revivals of the Fox shows “Futurama” and “King of the Hill” set up at Hulu. Coogler would be developing the project under his five-year overall deal with Walt Disney Television, of with 20th TV is a part.”
https://variety.com/2023/tv/news/ryan-coogler-x-files-reboot-1235567129/
#TheXFiles 30th anniversary interviews continue at CBC with two Vancouver locals reminiscing about the past:
Nicholas Lea (Alex Krycek): “The number one reason is not necessarily the subject matter, but really the talent of the people behind the show: the line producers, the people who found the locations…”
William B. Davis (Cigarette-Smoking Man): “There was a commitment you saw on that set from everybody to do their very best work: whether it was the focus puller, or whether it was Chris Carter or it was the actors…”
(And both would be in for appearing in the “remount” of the show which is being worked on.)
#TheXFiles 30th anniversary interviews continue at CBC with Vancouver producer J.P. Finn, a key person for all first five years of the show. He shares some stories of how Vancouver was transformed by shooting TXF there. In a nice story of circularity, he remembers shooting among the first episodes in the same place where later a stadium was built, where they shot the last episode of the series for the Vancouver era: he must be referring to the Plaza of Nations (Squeeze, Little Green Men) which is right next to the Rogers Arena (The End), built in 1995.