X-Files mythology, TenThirteen Interviews Database, and more

Archive for the ‘News’ Category

Cast reunions + Aubrey story

Some recent cast reunions in conventions were billed as The X-Files 32th anniversary events, and it’s true such events with so many cast members are by now rare.

This made for some beautiful photos. Robert Patrick says “pure joy“:

Fan Expo

With Gillian Anderson, Robert Patrick, Annabeth Gish, Mitch Pileggi, Nick Lea. Some highlights:

  • Robert: Doggett is his favorite role of his entire career!
  • Gillian typically doesn’t remember anything (but does remember the scene where Scully throws water on Doggett’s face), whereas Nick remembers details.
  • Robert remembers doing script table reads, nobody else does.
  • Mitch remembers shooting a scene with Duchovny, Carter called and was rewriting the scene, he passed the dialogue over the phone: that’s how a short notice they had with getting and learning the dialogue.
  • Nick: he had little notice, except the one time he knew he would have to speak Russian 2 weeks in advance [4X09: Tunguska].
  • Robert: the director of photography would give them directions to direct their flashlights to hit a board, so that the reflection would light their own faces.
  • Did they have any input to their character to Carter? Everyone, quickly: “no!”
  • Mitch didn’t like the prosthetics with the nanobots [6X10: S.R. 819], he told them to get rid of this storyline. [And so sadly this was another story thread that was not followed up, I would have liked it to.]
  • Annabeth watches Stranger Things and Pluribus, which tackle similar questions as TXF.
  • About 7X17: all things: Gillian wrote the outline one day until 3 am. Carter got Spotnitz to guide her through the process of turning it into a script. The 1st day directing she felt unbelievably lucky, the 2nd day she just wanted it to be over! She hadn’t thought of it beforehand but she wished she had spent more time working with the actors, working through each scene and what specifically she wanted out of them.

+ a panel just with Gillian, where she mentioned that getting back into the Scully character for the revival was really difficult.

Reboot talk

The Ryan Coogler reboot project was touched upon in Fan Expo.

Mitch has not been approached. Gillian had just one conversation with him it feels like 2 years ago, her knee-jerk reaction would be that she’s not interested as she’s done this already, but Coogler is talented and doesn’t say no, she’s interested to read what he’s created.

Gillian repeated just as much for a Screenrant interview: “I have no idea where they are at, or if it’s at.”

So any Scully reappearance talks in the potential reboot are way overblown, this is far from happening yet!

Monster Mania

Another cast reunion, same with the above minus Nick Lea but with William “Bill” Davis and Laurie Holden. Apart from the usual questions (do you believe, what’s your favorite, how did you meet Arlene, did you really eat the 2X20: Humbug cricket) there were two “incidents” I want to flag:

On the William arc, anything else you want to know?
Gillian: I guess to find out who the father is.
A fan shouts “The Cigarette-Smoking Man”…and Gillian gives Bill a comic look.

Anything you would like your character to do?
Bill: I had to offer to write an episode to get some scenes with Gillian.
Gillian: But he gave me something else instead.
Bill: I didn’t plan that part.

This is both funny and tragic. It’s awkward to say the least that actors have to answer for the writer in front of fans… They will be doing this for the rest of their lives!

Gillian Anderson on “War of the Coprophages”

Gillian confirms on Jimmy Kimmel that the happenings in one shot in 3X12: War of the Coprophages were not planned: as she walks into a supermarket, a car accident happens behind her and an extra bumps into her. She continued in-character, and the shot made it to the final episode. Both these things were great and contributed to the sense of panic that the episode was trying to convey at that point!

David Duchovny on “Aubrey”

A story relayed by Annie on X-Files Diaries: David told her that one particular line in 2X12: Aubrey came from him, and not from script writer Sara Charno. The line in question:

Mulder: “I’ve often felt that dreams are answers to questions we haven’t yet figured out how to ask.”

This memorable line was repeated from Scully back to Mulder in 4X08: Paper Hearts.

Is this true? Let’s do some forensic work. We can compare script versions, thanks to boggsfiles: earlier script versions as late as the pink version (dated Nov 14 1994) don’t have it, while the yellow version (dated Nov 16, just two days later) has it. The dailies from that episode show that Nov 22 or 23 was day 5 of shooting, placing the start of shooting to Nov 18 or 19. So it looks like it checks out and that David could have provided that line after a script read just a couple of days before shooting began!

ETC 20th anniversary! + TXF theme on Stylophone

Yes, Eat The Corn was launched 20 years ago today! Without patting myself too much in the back, I think this is objectively a big achievement, especially given how different the internet is today compared to twenty years ago, the remote year 2005. Against the odds, I have continued to cover X-Files news over all those years, although in recent years with more focus on relaying and commenting all the great interviews made by others, instead of doing original analysis myself. The site has become more of an archive, and that’s good enough given how old the series now is.

As long as I’m here, the site is not going anywhere.

Other engagements don’t allow me to celebrate more extensively. But I will relay something fun: a cover version of The X-Files theme, and this one includes the extended version made by Mark Snow for the release of the theme as a CD single (and used in the end credits of the VHS “Files”). Here is the theme played on one of the smallest and simplest analog synthesizers around: the stylophone! By Omen Ahead.

Admittedly, there’s another version from years ago — fun too, but not as good.

Podcast bilan + mythologie

[French] Avec le 32e anniversaire de The X-Files aujourd’hui, voici le podcast bilan de toute la série, qui clôt un cycle de podcasts de 3 ans !… Celui-ci est spécial puisque, en plus de l’équipe habituelle, moi-même j’y interviens pour débattre de la mythologie avec Guigui et théoriser comme d’antan. Plus particulièrement on discute les pours et les contre de la théorie de la “3e strate” de la conspiration : est-ce que la colonisation alien n’était qu’un écran de fumée depuis le début ? est-ce que la mythologie des 9 premières saisons peut être réconciliée avec le revival ? est-ce que Carter est aussi conscient des problèmes de continuité que certains des fans les plus attentifs (lisez : obsédés) ? On parle aussi de ce que j’appelle les 4 phases de la mythologie — le pseudo-documentaire ; le tout-est-lie ; le messianisme ; et l’essai d’un retour aux sources.

Quoi qu’il en soit, ce qui reste aujourd’hui de X-Files, ce n’est pas ses tentatives de fin(s) avortées ou les développements potentiels mais inaboutis de sa mythologie, c’est son ambiance toute particulière, son ambition d’une réalisation à contre-courant d’un rythme toujours plus rapide, ses scripts intelligents, ses performances d’acteurs, ses débats croyant-sceptique qui recréent le monde et deviennent des attitudes de vie archétypales, c’est facilement plus de cent heures de qualité… Et cela suffit pour la placer parmi les grandes séries de l’histoire, quoi qui se passe pour la suite.

https://smartlink.ausha.co/le-coin-pop/the-x-files-une-affaire-vraiment-classee

RIP cinematographer John Bartley

Another death in the Ten Thirteen family! 2025 is a tough year. Cinematographer John S. Bartley (ASC, CSC) died at age 78, as reported by an ASC memorial. As the director of photography for a show known for its cinematic look, he was one of the most important people involved in The X-Files. He defined the look of the show with its characteristic use of darkness, heavy contrast and abstract light sources. His use of darkness was so extensive and unprecedented that he won the nickname “Prince of Darkness” among the crew! He also introduced the definitive Xenon flashlights for Mulder and Scully and experimented with color (see episodes like “3”).

“The X-Files uses darkness as a character”

“we didn’t have any money, and that had a lot to do with the look. Most of our sets weren’t finished; if you looked down the end of a hallway, there was nothing there, or there might be the sets of some other production, so we’d put something down there like a bright light or an object that couldn’t be identified.”

He was originally from New Zealand. Taking over from Tom Del Ruth who shot the pilot, Bartley was brought over to the show by producer Bob Goodwin. He started work with the first episode, “Deep Throat”, and stayed for the first three seasons, for a total of 72 episodes. He was nominated for an Emmy Award in season 2 (for “One Breath”) and won it in season 3 (for “Grotesque”). According to IMDB, his daughter Amanda was an extra in the opening of “Talitha Cumi” (and was later second unit assistant director in the second movie!). When Bartley left in the fourth season, the producers struggled to replace him, alternating between Ron Stannett and Jon Joffin before settling with Joel Ransom for the rest of the Vancouver years. Bartley went on to work on shows like “Roswell”, “Lost” and “Bates Motel”.

“I still remember shooting episode six that was directed by David Nutter. It was called ‘Ice.’ I think that episode took the series to the next level. David pushed the envelope and challenged me to make every shot better. We blended light and darkness. The audience saw some things, and they weren’t sure whether they saw other things. That added to the aura of mystery.”

We owe it partly to Bartley that the show was shot on 35 mm and looks as great as it does in high definition.

“The show is shot on 35mm film for a couple of reasons. Fox wanted to shoot the show in Super 35 format, providing a wide frame for future HDTV syndication. Using a large negative also gives Bartley the freedom to work with low-key lighting and maintain the richness of the show’s high-impact images. ‘If we were shooting in a smaller format, we’d need a lot more light to keep grain from building up. That means we’d have to give up our minimalist approach to low-key lighting. We’ve done many scenes with just practicals. That’s living on the edge.'”

Read more interviews on Eat The Corn from 1995 and from 2011.

Watch an extensive interview for the Archive of American Television from 2009.

Watch him comment on his work in a season 3 behind the scenes short.

Here is a small sample of Bartley’s immense work on the series:

RIP main title designers Bryant and Johnsen

Bruce Bryant and Carol Johnsen were two of the three designers of the opening credits sequence of The X-Files. They were married since 1985 and both died within a few months of each other, in December and April.

Together with Jim Castle, they formed the company Castle/Bryant/Johnsen in 1987, which designed, produced and directed opening titles for hundreds of shows, such as Cheers, Frasier or The X-Files. In 1997 the trio continued as a duo, as Bryant/Johnsen Media Design. (Dates from Fandom.com)

They had little online presence. The photos of them I could gather are from their obituaries, obviously from very different time periods. There’s nothing I can find about Jim Castle, either. Their professional website is accessible via archive.org.

In 2013 they did an interview for Empire, where they shed light on a lot of the details behind the opening credits of our favourite series — for which they received an Emmy Award. They appear several times in the credits! That’s Carol in that photo pointing to a UFO, and also as the figure falling into the hand, and that’s her eye at the end. Carol signed Scully’s badge and Jim Mulder’s. That’s Bruce as a ghost behind “Government denies knowledge”.

“We had a deadline of maybe a couple of months until the airdate.”
“Chris Carter had already designed the logo itself. So he gave us “The X-Files” in that typeface. Midway into the project, we were given Mark Snow’s theme tune. When we’re working on a project, we do like to have the music.”
“It helps us to create the cuts, the mood, the timing. Everything.”
“We’re enormously proud of our work on The X-Files. It won the show its very first Emmy.”

These opening credits are instantly recognizable and were definitely part of the show’s success in the 90s. As time passes, we continue to acknowledge, remember and cherish the people behind the scenes that contributed in making this show, especially those that are not as well-known at large.

RIP editor Chris Willingham

Another loss in the Ten Thirteen family — editor Chris Willingham passed away aged 74. He had worked on all four of Ten Thirteen’s shows, most importantly in all thee of Millennium‘s seasons (16 episodes, among them Lamentation). He also worked on The X-Files (7 episodes during season 8, including This Is Not Happening), Harsh Realm (2 episodes) and The Lone Gunmen (pilot).

He also worked on productions led by Ten Thirteen alumni (Morgan & Wong’s Space: Above and Beyond, Howard Gordon’s 24, for which he won several Emmy awards).

He is survived by his wife Lynne, also an editor, also worked on The X-Files (36 episodes over seasons 5 to 9, nominated for an Emmy for The Post-Modern Prometheus). They are pictured above with their Emmys, from an interview with them at the TCA website!

https://www.deadline.com/2025/07/chris-willingham-dead-24-editor-three-emmys-1236472500