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RIP Ken Hawryliw + Paper Clip prop

Unfortunately, there has been another big, big death in The X-Files family. Ken Hawryliw, prop master for TXF seasons 1-5, passed away a few days ago.

Kenneth Harvey Hawryliw headed the props team: he designed and realized the props seen on the show. There’s a lot that the props team did: all the files and paperwork handled by Mulder and Scully, all the badges and guns, all the alien implants. In many cases the prop was a star of the episode, with perhaps the most iconic being the alien stiletto, with its simple and elegant design. But there’s a lot more we can mention: the alien fetus from The Erlenmeyer Flask; the sea shell from Fresh Bones; the demon drawings and sculptures from Grotesque; the Martian rock from Tunguska; the alien Rebels’ firewand from Patient X; the doll from Chinga; and many, many others, big or small.

The props department was also responsible for all the documents, newspaper clips, crime scene photos, or photos as part of the set design, all meticulously created to fit in with the item’s use within a scene. The UFO photo from Deep Throat; the DAT tape from Anasazi; the thought photos from Unruhe; young Fox and Samantha’s photo that the CSM had from Redux II; etc, etc.

In the late 90s, the “Unrestricted Access” CD-ROM showcased his work, with photos and videos and detail that was not visible on the few seconds these things are visible on the screen (although retrospectively this was very low-resolution!).

Ken also had a cameo appearance in the show as Byers’ co-worker in Unusual Suspects. He contributed with a script for the show, season 6’s Trevor. And he was also someone full of stories to tell, about his creative process and the behind the scenes adventures that went into making the show. Apart from TXF, he worked on “Battlestar Galactica” and many other shows shot in Vancouver. We covered here some of his long and detailed recent interviews (Conspiracy, TXF docu) and we reposted some behind the scenes photos he published on his social media Sci Fi Props Guy.

Please consider donating to the GoFundMe set up to support his wife and two minor children during this devastating time — his last credited work dates back to 2020, and the page explains Ken’s family’s situation. If you’re unable to donate, please share.

The image above was sent from Ken to Jesse J. Adams who shared it with me.

I also want to take this opportunity to share a piece of work from Ken, along with his assistant Jim Pate. I cannot tell you how elated and nervous I was when I acquired this recently. I have in my possession Scully’s medical file in the Strughold Mine from 3X02: Paper Clip, and this is the screen-used item. It is an excellent example of an expertly created prop fit for purpose. The paperwork, the numbers pointing to an archiving system, the pages design mimicking medical forms with fields to fill in, additional material such as a WHO vaccination card, and of course the biological sample box containing Scully’s DNA sample. An iconic prop for an iconic scene.

The Demijan collection

A new fan site is around: a showcase of prop replicas and costumes related to , by fellow fan and friend Demijan Omeragic! Among others, the Tulpa statuette from “Arcadia”, the Alien Bounty Hunter stiletto weapon, Krycek’s leather coat from “Patient X”, Frank Black’s iconic coat. More and more fans delve into the details of the making of the show, and two aspects are the props and costumes.

The props replicas is a world in of itself, with fans obsessively trying to get information out of screen captures and auctioned props to make their replicas as screen-accurate as possible. The costumes is another world, where fans either make replicas of their own or try to track down the exact commercial model (from 30+ years ago) that was used by the production. All good stuff, with great personal stories behind each item — I encourage you to look around!

https://www.alienstiletto.com

RIP Ted Mann

2025 has been a tough year! Writer-producer Ted Mann died earlier this year, in September, aged 72, as reported by Variety.

He was a consulting producer in season 1 of Millennium and wrote 4 episodes: “The Judge“, “Loin Like A Hunting Flame“, “Powers, Principalities, Thrones and Dominions” and the season finale “Paper Dove“.

His credits also include David Milch’s NYPD Blue and Deadwood and Gordon & Gansa’s Homeland. He also did a short cameo in the Morgan & Wong series Space: Above And Beyond!

The Judge” included the first mention of Legion, before anybody thought it would become an important part of the show’s mythology.

The sequel to Carter’s landmark episode “Lamentation“, “Powers, Principalities, Thrones and Dominions” was no less memorable, with Lucy Butler and attorney Al Pepper tempting Frank Black, and the series’ first appearance of an angel, Sammael.

In related news, the Millennium After The Millennium documentary is getting a re-relase with more footage and bonus material! Find all that here.

Cast reunions + Aubrey story

Some recent cast reunions in conventions were billed as The X-Files 32th anniversary events, and it’s true such events with so many cast members are by now rare.

This made for some beautiful photos. Robert Patrick says “pure joy“:

Fan Expo

With Gillian Anderson, Robert Patrick, Annabeth Gish, Mitch Pileggi, Nick Lea. Some highlights:

  • Robert: Doggett is his favorite role of his entire career!
  • Gillian typically doesn’t remember anything (but does remember the scene where Scully throws water on Doggett’s face), whereas Nick remembers details.
  • Robert remembers doing script table reads, nobody else does.
  • Mitch remembers shooting a scene with Duchovny, Carter called and was rewriting the scene, he passed the dialogue over the phone: that’s how a short notice they had with getting and learning the dialogue.
  • Nick: he had little notice, except the one time he knew he would have to speak Russian 2 weeks in advance [4X09: Tunguska].
  • Robert: the director of photography would give them directions to direct their flashlights to hit a board, so that the reflection would light their own faces.
  • Did they have any input to their character to Carter? Everyone, quickly: “no!”
  • Mitch didn’t like the prosthetics with the nanobots [6X10: S.R. 819], he told them to get rid of this storyline. [And so sadly this was another story thread that was not followed up, I would have liked it to.]
  • Annabeth watches Stranger Things and Pluribus, which tackle similar questions as TXF.
  • About 7X17: all things: Gillian wrote the outline one day until 3 am. Carter got Spotnitz to guide her through the process of turning it into a script. The 1st day directing she felt unbelievably lucky, the 2nd day she just wanted it to be over! She hadn’t thought of it beforehand but she wished she had spent more time working with the actors, working through each scene and what specifically she wanted out of them.

+ a panel just with Gillian, where she mentioned that getting back into the Scully character for the revival was really difficult.

Reboot talk

The Ryan Coogler reboot project was touched upon in Fan Expo.

Mitch has not been approached. Gillian had just one conversation with him it feels like 2 years ago, her knee-jerk reaction would be that she’s not interested as she’s done this already, but Coogler is talented and doesn’t say no, she’s interested to read what he’s created.

Gillian repeated just as much for a Screenrant interview: “I have no idea where they are at, or if it’s at.”

So any Scully reappearance talks in the potential reboot are way overblown, this is far from happening yet!

Monster Mania

Another cast reunion, same with the above minus Nick Lea but with William “Bill” Davis and Laurie Holden. Apart from the usual questions (do you believe, what’s your favorite, how did you meet Arlene, did you really eat the 2X20: Humbug cricket) there were two “incidents” I want to flag:

On the William arc, anything else you want to know?
Gillian: I guess to find out who the father is.
A fan shouts “The Cigarette-Smoking Man”…and Gillian gives Bill a comic look.

Anything you would like your character to do?
Bill: I had to offer to write an episode to get some scenes with Gillian.
Gillian: But he gave me something else instead.
Bill: I didn’t plan that part.

This is both funny and tragic. It’s awkward to say the least that actors have to answer for the writer in front of fans… They will be doing this for the rest of their lives!

Gillian Anderson on “War of the Coprophages”

Gillian confirms on Jimmy Kimmel that the happenings in one shot in 3X12: War of the Coprophages were not planned: as she walks into a supermarket, a car accident happens behind her and an extra bumps into her. She continued in-character, and the shot made it to the final episode. Both these things were great and contributed to the sense of panic that the episode was trying to convey at that point!

David Duchovny on “Aubrey”

A story relayed by Annie on X-Files Diaries: David told her that one particular line in 2X12: Aubrey came from him, and not from script writer Sara Charno. The line in question:

Mulder: “I’ve often felt that dreams are answers to questions we haven’t yet figured out how to ask.”

This memorable line was repeated from Scully back to Mulder in 4X08: Paper Hearts.

Is this true? Let’s do some forensic work. We can compare script versions, thanks to boggsfiles: earlier script versions as late as the pink version (dated Nov 14 1994) don’t have it, while the yellow version (dated Nov 16, just two days later) has it. The dailies from that episode show that Nov 22 or 23 was day 5 of shooting, placing the start of shooting to Nov 18 or 19. So it looks like it checks out and that David could have provided that line after a script read just a couple of days before shooting began!

ETC 20th anniversary! + TXF theme on Stylophone

Yes, Eat The Corn was launched 20 years ago today! Without patting myself too much in the back, I think this is objectively a big achievement, especially given how different the internet is today compared to twenty years ago, the remote year 2005. Against the odds, I have continued to cover X-Files news over all those years, although in recent years with more focus on relaying and commenting all the great interviews made by others, instead of doing original analysis myself. The site has become more of an archive, and that’s good enough given how old the series now is.

As long as I’m here, the site is not going anywhere.

Other engagements don’t allow me to celebrate more extensively. But I will relay something fun: a cover version of The X-Files theme, and this one includes the extended version made by Mark Snow for the release of the theme as a CD single (and used in the end credits of the VHS “Files”). Here is the theme played on one of the smallest and simplest analog synthesizers around: the stylophone! By Omen Ahead.

Admittedly, there’s another version from years ago — fun too, but not as good.

Podcast bilan + mythologie

[French] Avec le 32e anniversaire de The X-Files aujourd’hui, voici le podcast bilan de toute la série, qui clôt un cycle de podcasts de 3 ans !… Celui-ci est spécial puisque, en plus de l’équipe habituelle, moi-même j’y interviens pour débattre de la mythologie avec Guigui et théoriser comme d’antan. Plus particulièrement on discute les pours et les contre de la théorie de la “3e strate” de la conspiration : est-ce que la colonisation alien n’était qu’un écran de fumée depuis le début ? est-ce que la mythologie des 9 premières saisons peut être réconciliée avec le revival ? est-ce que Carter est aussi conscient des problèmes de continuité que certains des fans les plus attentifs (lisez : obsédés) ? On parle aussi de ce que j’appelle les 4 phases de la mythologie — le pseudo-documentaire ; le tout-est-lie ; le messianisme ; et l’essai d’un retour aux sources.

Quoi qu’il en soit, ce qui reste aujourd’hui de X-Files, ce n’est pas ses tentatives de fin(s) avortées ou les développements potentiels mais inaboutis de sa mythologie, c’est son ambiance toute particulière, son ambition d’une réalisation à contre-courant d’un rythme toujours plus rapide, ses scripts intelligents, ses performances d’acteurs, ses débats croyant-sceptique qui recréent le monde et deviennent des attitudes de vie archétypales, c’est facilement plus de cent heures de qualité… Et cela suffit pour la placer parmi les grandes séries de l’histoire, quoi qui se passe pour la suite.

https://smartlink.ausha.co/le-coin-pop/the-x-files-une-affaire-vraiment-classee