X-Files mythology, TenThirteen Interviews Database, and more

Posts Tagged ‘chris carter’

XF at SDCC 2013, Part 2: Season 10

Part of the San Diego Comic Con is still about comics, and IDW at SDCC 2013 was there to promote The X-Files Season 10, of which #2 came out the day before the con. Chris Carter and Gillian Anderson, present for the TV Guide panel, also participated on the IDW panel, along with IDW Editor-in-Chief Chris Ryall, XF Season 10 Editor Denton J. Tipton, XF Season 10 writer Joe Harris and Lone Gunman and conventions regular Dean Haglund.

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From left to right: Tipton, Ryall, Anderson, Carter, Harris.

The X-Files Season 10 IDW panel was somewhat covered in the press (less so than the TV Guide panel, the audience was also smaller):

Articles: Badass Digest | Wired | Joe Harris’ blog | Comic Book Resources (very detailed!)

Video: Part 1 | Part 2

Audio (bad quality, but includes Chris Ryall’s intro and an awesome joke on X-Files #3)

Interspersed below are also drawings from Michael Walsh, who has continued to tease with art from the next issues on his Instagram account — with a lot of Scully!

XF Season 10: More or less canon?

SDCC was the opportunity to ask Chris Carter repeatedly about the future of the X-Files, his role as executive producer of Season 10, and how do these new comics articulate with his vision for a potential third X-Files feature film.

More below the jump!

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XF at SDCC 2013, Part 1: XF3, BluRay, Carter projects

More than any other event earlier this year, and I expect more than any even for the remainder of 2013, The X-Files‘ 20th anniversary was celebrated at San Diego Comic Con International 2013. The size of the event and the media coverage it got is the reason why this was a key event. The big panel was hosted by TV Guide, the second panel by Season 10 comics publisher IDW, and then there were of course signings and pricey photo shoots.

X-Files’ 20th anniversary

sdcctvguide

This was the biggest cast & crew reunion since the Paley Festival in 2008. From right to left: host Michael Schneider; Chris Carter; David Duchovny; Gillian Anderson; James Wong; Glen Morgan; John Shiban; Darin Morgan; Howard Gordon; Vince Gilligan; and out of frame, David Amann (photo from syzzlyn). From the writing team, you could say that all the people who shaped the show were there, apart from Frank Spotnitz (in Europe, busy with other projects) and Gordon’s writing partner Alex Gansa. As would be expected in such media-intensive events, the focus was much more on Anderson and Duchovny instead of the rest of the creative team — given how short the panel was, some of them only spoke once!

Video of nearly the full panel

Video of the full panel

Host Michael Schneider posted a kind of “making of” of the whole event, which is a very entertaining read but is also revealing. The panel was organized by TV Guide, and within TV Guide, Schneider played an essential role: in inviting people and handling the organization of the event on the day. The involvement of FOX is nowhere to be seen apart from their mere approval. Still, we guess that they were watching, gauging interest in the X-Files to see if it has a future. The fans were certainly there!

More after the jump.

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Take Your Greatest Fear And Multiply It By X

One and a half decade ago (!), June 19 1998, “The X Files Movie“, better known by its main tagline “Fight The Future” premiered in the USA and Canada! (…and only in those countries on that day! That was a time when studios and audiences were less globalized and it felt like film reels had to cross the ocean by steamboat before reaching you. Release dates spread from June 19 to December 5!) Season 5 had just wrapped up, the show was so successful that FOX was willing to abide by the lead’s desire to move production from Vancouver to the more expensive Los Angeles, and Chris Carter was playing the Deep Throat informant with his fans: this was the high point of the show’s life.

Interestingly, 15 years later the same date was chosen for the launch of Season 10 of the X-Files in comics form. The same XF logo variant that was first introduced with Fight The Future is also used for Season 10, instead of the classic “typewriter X” of the show’s opening titles that was used for the Topps comics.

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In rememberance, the definition of 1998, the year of Fight The Future, with Noel Gallagher’s Teotihuacan!

A day to celebrate! Let us hope Season 10 will be a worthy extension of the franchise.

For this occasion, X-Files News offers us a short interview with Chris Carter (which was done, apparently, some time in May or earlier in June):

XFN: You said once that Mulder and Scully were the light in dark places. What does it say to you that after 20 years, Mulder and Scully remain in the consciousness of so many people? 

CC: “I’m blown away by the show and the character longevity. David and Gillian struck a deep chord with their portrayals.”

XFN: Reminiscing about when this great ride started, we’ve read earlier versions of the pilot that included a character named Agent Drazen. Do you remember what your plans were for this character and why he didn’t make it to the final version that was eventually produced? 

CC: “I remember writing that character as a minor foil. He was named after a director. He and Scully’s boyfriend, played by Tim Ransom, didn’t make the cut, though Drazen disappeared before we shot. Something that’s not well-known is at the end of the pilot when Mulder calls Scully and she answers the phone in bed, her boyfriend’s beside her.”

XFN: Thinking back to the first day of filming the Pilot or even the whole shoot in Canada, is there a memory that strikes you about this first episode? 

CC: “I have many memories, but the casting of Billy Miles comes to mind. We saw many actors before Zach Ansley came in and nailed it. I also remember how hard it was to stage the abduction sequences, with minimal special effects.”

XFN: When you think of everything that you have accomplished what is the most rewarding moment of your career so far? 

CC: “We were honored by the WGA yesterday as one of the 101 best-written TV shows of all time. That is pretty amazing.”

XFN: We miss having a Chris Carter show on TV, what can you tell us about your latest projects? 

CC: “I’m working on several different scripts for several different networks. The TV business is very exciting right now.”

XFN: There have been rumors that Fox is planing something for the 20th anniversary of The X-Files, what can you tell us about that? 

CC: “I don’t know that Fox is planning anything, but I did hear this week that they’re bringing the series out in HD! Wow.”

XFN: It’s been heard through the grapevine that the show is being remastered to be released on Bluray, just like they’ve done with Star Trek. Is there anything you can tell us about this ambitious project?

CC: “I don’t think you’ll see the series in Bluray, but anything is possible.”

XFN: We’re really excited about the release of fresh stories via the new X-Files comics, but we’re curious, how will they fit between The X-Files: I Want To Believe and what we hope will be XF3? What can you tell us about this new stage? 

CC: “The comics will pick up after the end of the second movie. Look out for some surprises, though. And trust no one.”

XFN: The unavoidable question – X-Files 3, When? What? How? The fandom is there, the timing it still there… What is the missing piece to get this project up and running? 

CC:XF3 will happen if the studio wants it to happen, and only then.”

XFN: You attended the Insect Fear Film Festival in February and attended The X-Files screening planned as the closing event for the Hero Complex Film Festival. What do you enjoy about these events and meeting fans of the show after all these years? 

CC: “I’m always struck by how generally nice and respectful X-files fans are. It makes it a pleasure to do these events.”

The XFN Quick 6: 

Favorite Food? Rufina’s chile rellenos
Favorite Word?
 Yes
Favorite X-Files Quote? 
Too many to choose!
Guilty pleasure?
 Wouldn’t you like to know.
I wish I had invented… 
A foolproof lie-detector
Dream Job/occupation:
To surf one wave as Kelly Slater.

Thanks so much to Mr. Carter for the opportunity, and Mr. Gabe Rotter for your assistance during this interview!

This interview offers several insights.

First, after several rumours, this is the first official declaration that a HD version of the series is being prepared! An HD version would be used for broadcasting in modern TV sets, this is why Carter separates that item from a BluRay release in a somewhat puzzling remark — however once FOX will have an HD version there is no reason whatsoever not to release it in BluRay.

Second, he does tease Season 10 — but this is the only time he has done so, leaving principal writer Joe Harris to do all the promotion. This might also reflect the two creators’ relative contributions to Season 10, meaning that Carter is very little involved in this project beyond very generic indications. Joe Harris has been acknowledging and praising Carter’s contributions in all his interviews, however some of his replies sound like kind attempts to downplay Carter’s importance in the series. Carter’s participation as “executive producer” in Season 10 was/is a big marketing argument on behalf of IDW and is the only argument that makes this effort part of canon. His presence behind the scenes and absence in front might mean that this effort is not very important to him, or that we are witnessing a definitive passing of the torch.

Thirdly, Chris Carter’s characteristic few words and careful choice of words and what that says for Season 10 and a potential X-Files 3. All his answers were one-liners, he didn’t say anything more than the bare necessary and didn’t spend time on this interview more than was necessary. If he wanted to, if he really wanted this Season 10 project to happen, he’d be all over it. He has never been particularly extroverted as a character or internet-savvy, which is fine. But there are plenty of things he could do. In comparison with other creators who nurture their fanbase and know how to communicate and raise interest for a project that is close to their heart (Joss Whedon, Guillermo del Toro, JM Straczynski just to name a few) there’s a world of difference. He’s not particularly vocal on his other projects either. One possible reason for this is because he has become too afraid or weary of being the subject of attention and criticism, too averse to the idea of failure or of lack of acceptance from critics and fans. The hard work he poured in the X-Files and in “I Want To Believe” and the flood of criticism he got with the latter seasons of XF and with IWTB have taken their toll — the fact that he was hospitalized for exhaustion in September 2008 after a summer of promotion of IWTB is telling. He would like to step away from the spotlight, and that is perfectly fine, but he doesn’t seem keen to strongly defend his projects either. Perhaps, after “protecting his territory” by sticking with the X-Files after season 7 (his contract would end) throughout seasons 8 and 9 and all the way to IWTB, he has decided to relinquish some creative control and let the story go where it may. For the past five years, Carter and FOX have been playing ping-pong on whom the responsibility lies for launching the production of an XF3. If this relinquishing of control finally means that Carter is willing to let go of the idea of an XF3 and focus on other things, I’ll follow him on his next projects but I would just like him to be honest with the future of the things he’s created and stop this politically correct game of expectations.

Happy Summer Solstice!

Season 10: Interviews and Odds & Ends

A round-up of interviews and non-artwork material related to the Season 10 comics that have surfaced up till now.

On the menu:

  • Joe Harris seminal interview
  • Chris Ryall – Joe Harris – Chris Carter meeting
  • Chris Ryall teasing
  • Carlos Valenzuela interview
  • Joe Harris podcast
  • Joint Joe Harris & Michael Walsh interview
  • Frank Spotnitz’s reaction
  • Joe Harris’ guide on buying XF comics

Click below for the lengthy entry:

Mar-03-2013
Comic Book Resources
ECCC EXCLUSIVE: Joe Harris Explores IDW’s “X-Files: Season 10”

Last month, IDW Publishing announced its plans for an ongoing series based on “The X-Files,” one of the biggest sci-fi televisions eries of all time, airing for 9 seasons and inspiring two feature-length films starring David Duchovny and Gillian Anderson as paranormal investigators working for the FBI.

Today at Emerald City Comic Con, IDW announced writer Joe Harris and artist Michael Walsh as the creative team responsible for the further adventures of agents Fox Mulder and Dana Scully. Beyond that, Harris told CBR News that original “X-Files” creator Chris Carter is executive producing the new title — subtitled “Season 10” — saying Carter is “personally reading outlines and scripts, providing feedback and suggestions.”

Harris, who recently launched “Great Pacific,” a creator-owned series released through Image Comics, spoke exclusively with Comic Book Resources about “X-Files: Season 10,” teasing the title’s debut story arcs, revealing the status of Scully and Mulder’s relationship as the series opens and more.

CBR News: First off, Joe, what’s your history with “The X-Files” and how did you come to be involved in this iteration of the franchise?

Joe Harris: I’ve been a fan since the show was buried deep on the Friday night network schedule of my lonely teenage ’90s life. Honestly, I can’t think of many characters or comics properties I could be more excited to write.

IDW asked me if I was a fan, and I jumped like little else can probably get me to in this industry. I’m writing the series, ongoing and for as long as they’ll have me!

And all the art we’ve been looking at has been spectacular. In particular, Michael [Walsh] should bring some grit and mood to this series that really pushes the darkness and paranoia.

What can fans expect to see in the first arc of “The X-Files: Season 10?”

It picks up some time after the last movie and re-introduces Fox Mulder and Dana Scully, along with plenty of the supporting cast of characters everyone remembers and would expect to see. I don’t want to give away too much, but I can tell you it opens with a pretty deadly mystery that’s connected to the now-shuttered “X-Files” division at the FBI and what appears to be an effort by some pretty dangerous folks to eliminate the personnel associated with them.

We’re going to re-establish the mythology, the ever-elusive but tireless quest to discover “the Truth,” while conspiratorial elements work against our heroes from both within the government, as well as outside of it, and we’re going to dig into plenty of paranormal threats including some that just might be of the extraterrestrial variety.

We’re going to try and usher “The X-Files” into a new age. We’ve got WikiLeaks, now. Drone warfare, the Patriot Act and challenges related to the government and influence from outside forces, corporations and lobby groups. America has challenges, problems both new and old, related to how it functions, as well as just who it really functions for. I think the “X-Files” mythos will fit nicely into these chaotic, interconnected times.

What’s the status quo between Agents Mulder and Scully as the series starts? Will you be exploring their personal (and sometimes romantic) relationship?

Let me just start by saying, I adore Mulder and Scully’s relationship. From when Agent Dana Scully first walked into Fox Mulder’s basement office in the series pilot and confronted this seemingly desperate believer with her almost unbreakable skepticism, it just worked. It evolved over time. Respect and reverence grew between them, and, with what they’ve been through together, how could they not have grown even closer?

They’re together in this series. They’re an item. But it’s not nearly that simple, or easy, and there are extenuating circumstances related to who they are and what they’ve been through, both together and apart, that will really test them.

In the show’s finale, it was revealed that civilization would come to an end after a massive alien invasion in 2012. Since “The X-Files: Season 10” debuts in 2013, how quickly do you plan on addressing that issue in the comic?

You’re going to have to wait and see on that score — sorry!

This isn’t your first foray into ‘creepy’ story-telling. You’ve done work for “BPRD,” “Vampirella” and even “Creepy,” itself. What attracts you to these types of stories?

Well, horror and horror movies, along with science fiction, have always been a big part of my life and ambitions. The possibilities attract me. The chance to evoke and illuminate real-world issues, challenges themes and concerns through that speculative fiction prism is a big draw. Almost as much as the chance to pull off big sci-fi concepts and creepy, as you say, storytelling.

My “X-Files” stories are a mix of both horror and sci-fi. There were some moments in that show that just made your skin crawl. I really, really want to try and replicate that experience as best I can.

This series is being billed as “Season 10” of the show. Have you had access to any notes or musings from “The X-Files” creator Chris Carter, like how Joss Whedon oversees the “Buffy” comics, or is this series entirely independent from the original show’s creative team?

I actually just spoke with Chris Carter today! Made my morning. And he’s agreed to executive produce the comic.

When you say Chris Carter is “executive producing” the comic, what exactly does that mean? 

Chris is personally reading outlines and scripts, and providing feedback and suggestions.

What are some of your favorite “X-Files” episodes?

Wow, I can rattle off a bunch — “The Erlenmeyer Flask,” “Ascension,” “The Host,” “Paperclip,” “Piper Maru,” “Musings of a Cigarette Smoking Man,” “Tunguska,” “Josie Chung’s From Outer Space,” “Drive,” “Pusher,” just about anything Vince Gilligan wrote starring The Lone Gunmen. And really, all of those great season-ending cliffhangers that Chris Carter and Frank Spotnitz pulled off which really amped up the conspiracy and elevated the whole mythology to another level.

But I think my favorite episode from way back is the Season Three finale, “Talitha Cumi,” in which Mulder and X — my favorite character back then played by Stephen Williams — beat the living crap out of one another in a parking garage after Mulder discovers an alien weapon artifact, but refuses to hand it over to his informant, who had expected to get it from him. It ends with them pulling guns on one another, “Mexican standoff”-style, and the paranoia and tension was just oozing out of the show at that point.

Will you be picking up any plot threads from the original series or either of the two movies?

Well, maybe — just maybe.

In all seriousness, there’s lots to Mulder and Scully’s experiences we’re going to pick up on, sure. Lots of old relationships and unfinished business to delve into and use as a starting point. That goes for both their personal lives, and the overarching “mytharc” that defined the series.

Another thing I plan on doing every now and again is creating what amounts to a sequel for some classic standalone “Monster of the Week” stories. We’ve already got one of these in the works and, I do suspect, it’s going to get some people excited when they hear about it.

How long will ‘Season 10’ last? How many seasons are planned at the moment?

I’m not certain, to be honest with you. At this point, we’re an ongoing series with some big, mythology-building and steeped arcs that will be interspersed with some standalone stories and smaller arcs.

So we’ll see, I guess. But we’ve got plenty of big-ass cliffhangers and “holy crap” moments lined up that go for that same season-ending magic I absolutely revered.

“The X-Files: Season 10” #1 by Joe Harris and Michael Walsh hits shelves this June from IDW Publishing.

From Michael Walsh’ twitter (Mar-08-2013): “Me, X-Files creator Chris Carter & @joeharris after a successful “X-Files: Season 10″ plotting session this morning”

Michael Walsh, Chris Carter, Joe Harris

Michael Walsh, Chris Carter, Joe Harris

Mar-30-2013
ComicBook
WonderCon: X-Files Comic Will Be Stories that “Matter” to Fans

At WonderCon earlier today, IDW Publishing’s Chris Ryall revealed a handful of details about their upcoming series, The X-Files Season Ten. The comic, announced earlier this month, will include the involvement of series creator Chris Carter in the first ongoing comic book series since the long-running Fox drama ended.

“At the last point where people saw these characters, these comics will pick up beyond that,” Ryall told fans, suggesting that the recent feature film The X-Files: I Want to Believe, will still count. “We’re telling stories that extend the characters forward,” not telling stories that don’t “matter.”

“At that point, they couldn’t necessarily tell stories that advance the plotlines the way we can,” Ryall said of the previously-published X-Files comics by Topps comics and WildStorm, which IDW intends to republish in new collected editions. “There’s something about doing comics where the show has already ended. We can tell stories that matter. It’s very exciting to us.”

The solicitation for the comic describes it as follows:

In the opening story arc, “Believers,” readers will catch up with Dana Scully and Fox Mulder, living normal lives together under secret identities. However, a visit from an old friend threatens to rip them from suburban anonymity, as they learn that someone is preying upon everyone involved in the X-files. Prepare to revisit familiar faces—some very unexpected, threats old and new, and an intriguing mystery designed to return the beloved franchise to its former glory!

May-01-2013
X-Files News
XFN Exclusive: Interview with Carlos Valenzuela

X-Files News had the pleasure to talk to Carlos Valenzuela, one of the artists comissioned to draw the newest installment of The X-Files comic books.

Valenzuela, a professional illustrator and comic book artist from Chile, has worked for several companies in the entertainment industry, like Fantasy Flight Games, Pyranha Bytes, SQP Publishing, Under The Floorboards, Ballistic Publishing, IDW Ltd, just to name a few.

XFN: How did you get into the business of illustrating?

“I always wanted to enter the world of illustration. My artistic influences are mainly from classic illustrators like Frazetta, Corben, Wrightson, Moebius, Elvgren, etc. and thanks to some online communities like DeviantArt or CGSociety I was able to show my first works. Also, I work for a couple of years being represented by an US agency. With them I did almost illustration work, from book covers, card games, to posters and comic book covers.

Right now, I work mainly as an illustrator, but with some comic book works from time to time, like the upcoming Mars Attacks story from IDW.”

XFN: You mentioned in a past interview that you’re a horror fan. You also seem to have drawn a lot of Marvel characters. What are your influences and how do they transfer into your work?

“I grew up watching horror and sci-fi movies, and thanks to my older brothers that collected several superhero comic books, I spent a long time reading (and copying) the covers from Hulk, Iron-Man, Batman, etc.”

“As I mentioned before, my main artistic influences coming from illustrators and artists from the 50’s and 70’s, as well as my favorites movies are from that period (the classics are still unbeatables). So as you might guess, I’m a bit of an old fashion artist,” he laughs.

XFN: What is your ultimate dream franchise that you’d love to illustrate for?

“Well, I’m a huge Star Wars fan, so I would love to illustrate anything that happened in that galaxy far far away. Everytime that I have some time to do something just for me, I put my hands on those classic characters.”

XFN: Everyone has seen your artwork for the new comics and can’t wait to see more. So what can you tell us about your involvement in the new X-Files project?

“At this moment I can tell is like a dream come true. Is a very strange and funny feeling to become an official X-Files artist being a big fan also. This is the first time that I work with a franchise so huge and with a really big fanbase, so the excitement is equal big as my responsibility. Each time that I show any preview or little advances I feel so many eyes watching, but gladly people and specially X-philes seems to be enjoying what I’ve done so far,” he hopes.

“Also I would like add that besides the covers for the comic book from IDW, at this moment I’m preparing, along with the great people of Under The Floorboards, another X-Files print to be presented at this year London ComiCon. The print that we did last year was a big success, becoming some kind of cult piece for X-Files fans, and also was the work that produced that I landed at IDW as a cover artist. So X-philes, stay tuned for this!”

XFN: We read that you were an X-Files fan before this project. Can you tell us how you got into the show originally and what it’s like as a fan to be creating new X-Files material?

“The show started airing here in Chile almost at same time than US, so I became addicted almost immediately! I’m always being intrigued and fascinated by UFOs, extraterrestrial life, conspiracies, strange creatures, monsters, crime thrillers… and The X-Files has all that ingredients, and much more. I felt that Mulder’s crusade represented us all in one way or another.”

XFN: Favorite episode? Character? Guest star? Monster of the Week or Mythology?

Several indeed, but to name just a few: “Home”, “Our Town”, “The Host”, “Post-Modern Prometheus”, “Duane Barry’”, “Agua Mala”, can I continue?” he laughs. I must say that Monster of the Week are my favorites, but I enjoyed as well the Mytharc storyline.

XFN: Mulder and Scully are iconic characters, even for those who’ve never seen the show. How do you go about bringing them to life while still maintaining your own artistic style?

“That’s a good question. One of the things that intimidated me when I started with this job was exactly that thing. Both of them (as well as the other characters from the show) are truly icons. I think that IDW and FOX liked the way that I approach to them, trying to keep the likenesses as much I can, but bringing my ‘classic/noir/vintage’ vision as well. And being myself a big fan, I always try to see the work from that point of view, and trying to maintain the overall atmosphere of the show.”

XFN: When it comes to X-Files comics, many artists have come before you. Do you look to past artists for inspiration or do you prefer to keep your work separate from that influence?

“I try to avoid as much as I can to watch anything that has been previously done. I want to keep things fresh, but as I said before, being faithful to the spirit of the show.”

XFN: What do you want X-Files fans to take away from these new comics? Anything you’d like to tease for the fans, or will the Truth remain out there?

“Well, I don’t have permission to reveal much information besides the previews and sneak peeks that I’ve shown already. Since I started working on this job that I have the very strange feeling that my phone line and internet connection has been hacked, and also a very suspicious black van is parked in front of my building since the first cover… uh oh there’s someone’s at my door!”

The XFN Quick Six

Favorite Food: Spaghetti
Favorite Word:
Awesome
Favorite X-Files line:
Mulder: “Scully, I was like you once. I didn’t know who to trust. Then I chose another path, another life…another fate” [from episode ‘The Sixth Extinction, part 2, season 7]
Your guilty pleasure:
Learned to make sushi and eat until almost explode
Dream job:
Bartender in the Mos Eisley cantina
I wish I had invented…
the human teleportation machine

Thanks so much to Carlos for sharing this insight into his work and his excitement for The X-Files comics. You can check out more of his artwork on his DeviantArt page and continue to follow his work through his website. Remember, the new stories hit the stands starting in June, so make sure to get yours from your favorite supplier.

May-05-2013
The Patrick Philiips Show
Joe Harris – ‘THE X-FILES: SEASON 10′ Writer

THE X-FILES: SEASON 10 Writer Joe Harris joins me to chat about the new comic book series, what we can expect for Mulder and Scully, and what it’s like working alongside creator Chris Carter.

May-10-2013
GeekMom
Interview With X-Files Season 10 Joe Harris and Michael Walsh

In March, IDW announced that The X-Files would be returning with a tenth season in comic book form. Almost immediately, fans began speculating about what stories this new season would include; when would the stories be set? Would the show’s incredibly complex mythology be continued? Would “baby” William be involved? I spoke to series writer Joe Harris and illustrator Michael Walsh about some of their plans for Season 10, and the difficulties of bringing such an iconic, cult show back for a new season after more than ten years off air.

What made you both decide to become involved with the new The X-Files series?

JH: IDW had asked me if I was interested and, in a span of about three seconds, the question registered, sank in and motivated my “hell yes!” reply. I’m a huge fan from way back at the beginning and the opportunity to write these beloved characters, and contribute to one of the greatest mythologies in television and science fiction history, was too great to let pass.

Michael Walsh: When IDW asked me about working on The X-Files I was ecstatic. I had been coming off of a Crime/Sci-Fi comic and was really in love with the idea of drawing something with some horror themes and supernatural elements. Not only that but I loved the show as a kid and it gave me the excuse to go back and watch it from the very beginning. It was an instant “Yes, when can I start?”

When Chris Carter came on-board as an Executive Producer/Consultant did you have to change any of your planned stories/arcs as they didn’t fit in with the plot of a hypothetical third film?

JH: When my editors first told me about Chris Carter’s involvement I was both thrilled and, I think you can probably imagine, intimidated as hell. It all came about so quickly, and organically though. He had read the story outline I’d put together, along with my script for the first issue, and was so complimentary and supportive it’s almost embarrassing. He also had some notes and wisdom to impart, as well as some great advice. His coming on board did help to refocus the original scope of our opening story arc and I feel like we’re really fortunate for his coming in and offering what he’s been able to impart.

How many comics are you planning for the first run/season?

JH: That’s a good question. Honestly, I’m not certain. As of now, we’ve got an opening five-issue arc that re-establishes everything. The characters, the mythology, the conspiracy, everything. Then we’ve got a bunch of shorter stories, two-parters, and single issue standalones that will harken back to the “Monster of the Week” formula and, in some cases, be direct sequels to some of my favorite old episodes. New monsters and paranormal stuff as well as some returning characters and creatures. After that, I’ve got another big storyline lined up that further builds on the “Mytharc,” the alien colonists out to retake the earth, Mulder and Scully’s connection and role within it all, and conspiracies both old and new related to it all.

Whether or not we rebrand ourselves as “Season 11″ after that, or at some other point, remains to be seen. But the series will be published monthly for the foreseeable future, regardless.

There are a couple of other TV shows that have continued on as comics. Have you looked to those for any lessons, i.e., things to do or not to do in a comic extension of a TV series?

JH: Well, there’s been a lot of this sort of thing getting done right lately in comics. From Buffy, including Angel at IDW, to the more recent Star Trek and Doctor Who books, the appetite for a continuation of these stories starring the characters the fans don’t want to say goodbye forever to doesn’t seem to let up.

With The X-Files, I really want to give the fans what they want while maintaining some of the mystique and coyness that kept us coming back season after season. It’s really its own thing, so it’s hard to gauge. I mean, we’re going to nail the likenesses and, I’d like to think–or, at least, I hope–the voices of the characters. We’re going to be presenting what I hope feels like the next chapter in a long narrative we’ve been following for many years now, as well as something I hope really harkens back to the vintage energy and paranoia and sense of “holy s*** did you see that!” that used to really permeate the series.

MW: I’ve definitely been skimming through comics that have been adapted from television and film. It’s interesting to see how different artists depict characters that have already been portrayed by iconic actors in other media. Mostly I’ve been trying to grasp when artists are really nailing likenesses and when the drawings are becoming too stiff or referenced, then applying those ideas and methods to my own work.

Will each comic be an episode in its own right as most of the original ones were, or will one case run across multiple issues as in the 30 Days of Night series?

JH: It depends. Like I said earlier, the first storyline will span five issues. I think the next story after that is slated to be a two-part story to be followed by a couple of single-issue, standalone tales. Before we gear up for another big “event” storyline that will run five issues, all over again.

Have you taken any cues from previous The X-Files comic runs in illustrating the new series or did you want to take the look in a completely new direction?

MW: I briefly took a look through the The X-Files/30 Days of Night crossover as well as what I could find of the Charlie Adlard illustrated Topps stuff. That said it was more out of curiosity than a desire to emulate what had been done before. I’m starting fresh, stylistically speaking, when approaching The X-Files comics. If you’re familiar with my work you will see a lot of the same approaches in terms of rendering and framing that I’ve used before on other work but I’ve taken a lot of cues from the actual show in terms of pacing, lighting and acting.

A lot of fans were upset that Agent Doggett and Agent Reyes did not appear in the second The X-Files film, will we get to see them in the comics at all? Are they still with the FBI?

JH: Yes. And yes. :)

All the characters are now much older than they were during the show, has that influenced the stories you wanted to tell or the illustration style at all? How much freedom were you given in creating the current “look” of the characters?

JH: I’ll let Michael speak to the specifics regarding the “look” of the characters, but I can tell you, from my end, it’s a balancing act. The short answer is, yes, of course, the stories are affected by these characters’ experiences, along with the audience’s. We call the series “Season 10″ right from the get go, so we’ve got a little baggage to sift through. A lot of triumph and tragedy and unresolved stuff. But we want to make it feel fresh too. We want to make a satisfying read for people who’ve followed Mulder and Scully’s journey all this way, as well as do something fresh and new and now.

MW: Since the story is canonical with what has been established in the show, these characters aren’t the spry young Mulder and Scully from the first few seasons. This is how they might appear had they filmed another season directly after the second film. I’ve slightly modernized them and designed some plain-clothes looks for the characters based on their already established style. That said, when designing the look of the characters I played it really close to the show and really tried to capture what makes them so iconic. So far I think I’m having the most fun with Skinner.

The biggest question in the fan community is about William, will his story be addressed in any way?

JH: Baby William Scully–who, I guess, wouldn’t really be a baby anymore–will figure prominently.

You’ve said that issue one begins with Mulder & Scully living “normal lives together under secret identities.” How will that be set up as we left them back from exile at the end of the second film?

JH: We’re going to hit the ground running a little ways after the bikinis and boats glimpse of their “happily ever after” post-credits moment at the end of the second movie, if that’s what you’re referring to. Some time has passed.

That said… we may go back and fill in some blanks in some instances, or we might leave things mysterious and full of questions in others. I have plans to include some “untold” moments in The X-Files chronology, going back to the early days of the show, to just after the end of that second movie.

Can you give us any indication of how far after the second film issue one is set?

JH: Some time has passed. One thing I really dug about the second film is that the creators let the characters live and age, and Mulder and Scully have been out of the game for a little while. The break is kind of integral to the genesis of the new comics series.

The Lone Gunmen appear on the cover of Issue #2, can you give us any clues about how they will be involved considering they were killed off in Season 9?

JH: Well, they did die “off camera” so I’d like to think the opportunity to bring them back in some way shape or form was always there. So far as what they’re up to, or how they figure into our story, I can’t give away too many details. They’ve been through some stuff and experienced some more. But, suffice to say, they’re going to play a familiar role.

You’ve also said that an iconic villain from the show will be making a return, what was it like to continue that character’s story and to illustrate them in comic form?

JH: We’re bringing back a bunch of folks: allies, enemies, and shady characters who aren’t quite one or the other too. That’s been the candy so far, for me. When it comes to the icons, be it the Lone Gunmen or some of our other, yet-to-be-revealed returning champions, I feel so giddy to be doing this, yet, sometimes anyway, so intimidated! It’s a tremendous amount of fun bringing back this character or that one and I feel a lot of pressure to get it right. In some cases we’re really presenting the next chapter in their chronology, or even filling in some past blanks that shed new light on who they are or why they do they things they do. In short, I’m honored, and psyched, and at least a little scared.

What prompted you to choose that character to bring back? Was it someone whose story you didn’t feel had been completed on the show?

JH: I had a wishlist I wanted to tackle with regard to which characters I wanted to bring back. In the case of folks we haven’t seen in a while, or whom we’ve been led to believe might have met their demise, I made sure I had a good reason why or how, and I presented my ideas to the publisher, as well as to Chris.

We’ll be introducing some new characters too, but I know who, as a fan, I’d want to see if I were just reading this series. So I let that sensibility guide me.

Regardless of what approach you take it is unlikely that you will please all of the The X-Files fan base. Are you prepared for the criticism you will likely face from some people?

JH: Hey, writing comics isn’t for the faint of heart. If you’re going to step into the arena, you need to be prepared to fend off a few slings and arrows. I’m hardly inexperienced when it comes to criticism. That said, I respect fandom deeply. I only get to write this series because the studio and the publisher are betting on a reservoir of support and appetite for the further adventures of Agents Mulder and Scully and their long and winding journey down the rabbit hole. And I’m here to serve that want and fill that need.

MW: As an artist you receive criticism all the time, It’s something every professional artist understands. Knowing when to learn from it and when it put it aside is an ability that comes with time. I’m really trying to capture the feeling of the show and service the fans while still maintaining my own established style and artistic sensibilities, it’s a balancing act that I hope long time The X-Files fans can appreciate.

Many thanks to John at IDW for setting up this interview, to Joe and Michael for their time and to the X-Philes at Idealists Haven for providing some excellent questions.

May-13-2013
Big Light (Frank Spotnitz’s blog)
“X-Files” Season 10

Hi Frank,

There’s been a lot of buzz lately about the official, in-continuity X-Files: Season 10 comic book being executive produced by Chris Carter and published by IDW Publishing including the return of several important franchise characters!

With all the buzz about this new comic book series, I was wondering whether you are going to be involved at all. Any possibility of you guest writing an issue or an arc (Monster of the Week or Mythology) within Season 10?

All the best,

Justin

New York City

P.S. A gallery of the variant covers for the premiere issue are showcased on the IDW tumblr?

Justin, never say never, but I have no plans to contribute to the series at the moment. I’m excited to read them, though!

June-04-2013
Joe Harris
I Want To Know How To Believe: The Non-Comics Reading “X-Files” Fan’s Guide to Buying New “X-Files” Comics

Hey guys!  Since IDW announced that I’d be writing the new, monthly THE X-FILES: SEASON 10 comics series (working with artist, Michael Walsh and colorist, Jordie Bellaire) back in March, I’ve gotten the not-too-subtle impression that there are lots and lots of “X-Philes” out there who are absolutely, passionately, ravenously excited to follow the new adventures of Mulder and Scully… but might not really know the ins and outs of the comics marketplace, culture, etc. – So I wanted to help ease this transition, if I could, and put together a sort of “cheat sheet” for the otherwise comics shop-challenged… as well as see if I couldn’t help swell the crossover ranks a bit and bring a few more of you into our merry fold.

[read the rest on his site]

That’s all for now!

Los Angeles Times Hero Complex: ‘The X-Files’ at 20: Chris Carter still wants to believe

May-13-2013
‘The X-Files’ at 20: Chris Carter still wants to believe
Los Angeles Times Hero Complex
Blake Hennon

[Original article here]

It’s been 20 years since “The X-Files” opened to viewers’ wanting-to-believe eyes, and the hit paranormal investigation drama’s creator, Chris Carter, doesn’t quite know what to make of that phenomenon.

“It’s surreal,” he told a sold-out crowd Sunday at the Hero Complex Film Festival shortly after entering to a standing ovation. “It’s like an X-File…. Twenty years’ missing time.”

Asked what he might do differently if he made the show now, he said, “It was of its time…. You probably could make the show today, but, I don’t know why, it just feels like it was made exactly when it should have been made.”

The festival’s closing night was devoted to the acclaimed Fox series, and included screenings of three fan-picked episodes – the pilot, which he wrote, “Jose Chung’s From Outer Space” and “Clyde Bruckman’s Final Repose.”

Carter said the pilot scene in which FBI special agent Dana Scully (Gillian Anderson), a skeptical scientist, first meets her new partner, Fox Mulder (David Duchovny), a crusading believer in aliens and conspiracy, wasn’t just their introduction as a duo to the audience, but to him as well: “That’s the first time they really acted together. They didn’t audition together for the parts. We really cast them separately, so we didn’t know there’d be that chemistry. What you were watching was really a kind of test, and it ended up working.”

“Working” might be an understatement: Scully and Mulder’s chemistry quickly became a pop cultural fixation, with rampant will-they-won’t-they speculation.

During the series’ 1993-2002 run, Carter thought they wouldn’t, though he and the writing staff had some fun with fans’ expectations.

“We actually snuck in a lot of kisses, like secretly, like sneaky dream sequences and stuff where they get together. I knew they should never be together. It was wrong.”

His thinking changed, however, when it was time to make the second feature film spun off from the series, 2008’s “The X-Files: I Want to Believe.” In it, viewers saw that Mulder and Scully had finally become a couple. So why bring them together after all those years?

“You couldn’t keep it up any longer,” he explained. “It was ridiculous.”

Carter had a surprise for the fans, bringing out two of the show’s most popular writers, brothers Glen and Darin Morgan, the latter of whom wrote “Jose Chung” and “Clyde Bruckman.”

Glen Morgan, who noted it was his brother’s birthday, recalled being sent the script for “Clyde Bruckman” and, reading the lines for guest star Peter Boyle’s psychic-vision-haunted titular character, realizing, “Oh my God, this is our dad.” Then, clarifying to audience laughter, “He couldn’t predict when people die or anything …”

That episode, for which Boyle and Darin Morgan won Emmys, and “Jose Chung’s From Outer Space” – which Carter called “still such an improbable episode for any TV show” – broadened the series’ stylistic scope by mixing in more humor with the series’ usual science-fiction and horror elements.

“That was the amazing thing to me,” Carter said. “That it could be so many different things.”

Darin Morgan said he appreciated now more than he did then the risks Carter was willing to take on unusual material.

“I’ve had so many situations since ‘The X-Files’ where producers said, ‘I don’t get this,’” the writer said. “People are so unwilling to take a chance on another person. That was so rare. Thanks, Chris.”

There was, of course, one question on every audience member’s mind: Will there be another movie?

“That’s a good question,” Carter said.

Gently prodded to answer, he replied, “The truth is out there.”

The fourth annual Hero Complex Film Festival was hosted by Hero Complex editor Gina McIntyre at the Chinese 6 Theatres in Hollywood. It began Friday with a John Carpenter double feature and feisty Q&A. Saturday afternoon brought a screening of “The Mist” and a discussion  of that film’s shocking ending with writer-director Frank Darabont and surprise guest Thomas Jane. Saturday night belonged to Guillermo del Toro, who shared an exclusive preview of his upcoming “Pacific Rim” and gave lively responses to questions between showings of “The Devil’s Backbone” and “Pan’s Labyrinth.” On Sunday afternoon, Roland Emmerich and Dean Devlin discussed “Independence Day” sequel possibilities after a screening of that film, and were joined by surprise guest Jeff Goldblum.

Check back in the coming days for videos of discussions with the festival’s special guests.

Daily Illini: X-Files creator speaks at University’s Fear Film Festival

Feb-25-2013
X-Files creator speaks at University’s Fear Film Festival
Daily Illini
Austin Keating

[Original article here]

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Foellinger Auditorium was packed with insect enthusiasts to celebrate the 30th annual Insect Fear Film Festival, sponsored by the entomology department.

The event was called “The Ins-X Files,” and Chris Carter, creator of the science fiction series “The X-Files,” spoke at the event and answered audience questions after screenings of his productions.

“I always try to accept all the invitations I get to stuff that honors ‘The X-Files’ because it was something I worked very hard on,” Carter said. “If people are willing to throw something in our honor, I’m more than happy to honor them by showing up.”

Other event attractions included a cockroach petting zoo, an art competition with local K-12 students and face painting.

May Berenbaum, event organizer and head of the department of entomology, said she felt a special connection to one of the screened productions, an “X-Files” episode called “War of Coprophages.”

“I was just ecstatic when I asked Chris Carter to pick from the nine or so episodes that feature insects, and he picked ‘War of the Coprophages,’” she said. “The screenwriter had used some of the books I had written as background, and when it came time to name the entomologist in that episode, he thought ‘Berenbaum’ was a good name, so he used it.”

Berenbaum said the goal of the event was to dispel the fear of insects generated by media.

“Always our goal is for people to gain a deeper appreciation of insects as they really are, which, as entomologists, we know is almost stranger than fiction,” Berenbaum said.


Hundreds of insect enthusiasts filled Foellinger Auditorium on Saturday night to celebrate the 30th anniversary of the entomology department’s Insect Fear Film Festival.

The event was called “The Ins-X Files,” and Chris Carter, the creator of “The X-Files” spoke at the event. The Daily Illini sat down with Carter to discuss the festival.

 Daily Illini: Why did you choose to show “War of Coprophages” out of all the episodes about insects in “The X-Files”?

Chris Carter: Because of May Berenbaum (festival creator), it was the obvious episode to show, and because it’s one of the best episodes of the show.

DI: What efforts did you take to make the show more realistic?

CC: We were really rigorous in our science research because, for me, the story’s only as scary as it is believable, so it’s got to start with real science, and then the science fiction is built in on that.

DI: “The X-Files” was really the first science fiction horror show of its kind. Was it difficult getting that past studio executives in the mid-’90s?

CC: It’s hard to get … anything past the studio executives. They’re always braced for failure. … I always say they dare you to succeed because most things fail, and they’re certain that when you’re making something in the beginning that you are tempting fate and failure by making whatever choice you make, so it’s a very nervous process.

DI: What was your major inspiration behind “The X-Files”?

CC: There were many inspirations. One of the big ones was a show that was on when I was a kid. It was called “Kolchak: The Night Stalker.” It really wasn’t all that much like “The X-Files,” but it was scary and I wanted to do something as scary as “Night Stalker.”

DI: There are people from across the United States who came here to see you speak. When you first started “The X-Files,” did you feel like it would become as big as it is now?

CC: No. It’s still amazing and surprising to me. It’s really one of the reasons we come to these things. Because when we were working on this show so hard for all those years, you really kept your head down. You worked really hard, and this is for me the wonderful result, a product of all that hard work. It’s a really nice thing.

DI: Not many people know that Vince Gilligan, creator of “Breaking Bad,” was a writer for your show. What do you make of his recent success?

CC: I couldn’t be a bigger fan. He’s created a masterpiece, and it’s not surprising to me because he’s one of the most original and bright minds in our business.

DI: What shows are you watching now?

CC: I’ve been watching “Breaking Bad.” I just watched the 13 episodes of “House of Cards,” which just came on Netflix. I went back and watched five years of “The Wire” recently, which was great. I just watched the pilot to “The Americans,” which I thought was good. I tend to go with something I like that’s been on before and watch it all, it’s just how I do it.

DI: What projects do you have going? What are your plans for the future?

CC: I have something with Showtime that might go this year. I’m talking to AMC about a possible television series.

DI: So what do you do with your free time?

CC: Well, I work really hard. When you’re in production on a TV show or two, you couldn’t be any busier. There’s not a moment in the day where you can goof off. So now I have moments in the day where I can kind of goof off right now, which is a luxury in my business, and I’m enjoying all those moments before I go into production again.

Austin can be reached at akkeati2@dailyillini.com.